The American Conservative, 20 April 2009

http://www.amconmag.com/issue/2009/apr/20/

humane-economyAn old, and possibly apocryphal, story anchors Dermot Quinn’s appreciation of twentieth century German-Swiss economist Wilhelm Röpke.   Röpke was walking along a road with Ludwig von Mises, the great champion of free-market economics.  The two saw a neighborhood garden in a crowded urban center.  Seeing land that was in high demand for residential and commercial development given over to an elaborate tangle of separate plots and shared irrigation,Mises sniffed that it was “a most inefficient way of producing vegetables.”  Perhaps so, said Röpke.  “But it is a most efficient way of producing human happiness.”  Röpke has attracted every label in economics, from socialist to free marketer.  None of those labels really fit Röpke, because they all classify thinkers by which answer they offer to questions about what sort of economic system allocates resources most efficiently.  These questions struck Röpke as absurd.  Though as a technical economist Röpke had few peers, his interests were always in human beings and their development, not in any of the fashionable abstractions of his time such as “The Economy” or “The Market” or “The State” or “The Proletarian Revolution” or “The Aryan Race.”     

Barack Obama was elected president with the votes of millions of Americans who had had enough of war.  Now that Mr O has announced plans to increase troop levels in Afghanistan and officials of his administration have suggested that they may expand the Afghan war into Pakistan, his antiwar supporters are hardly raising a peep.  This leads Justin Raimondo to ask “Was the Left antiwar or just anti-Bush?”  Raimondo started antiwar.com when President Bill Clinton ordered US forces to bomb Serbia in 1999.  At the same time, your humble correspondent was also active in the antiwar movement.  Like Raimondo, I was struck by the passivity with which the supposedly dovish members of the Democratic Party went along with that adventure.  I’d always been curious about the antiwar Right, ever since I was a little kid hearing my parents reminisce about how their staunchly Republican parents had opposed FDR’s military interventionism with the same fervor that they opposed his economic interventionism.  After 1999, I was convinced that the “Old Right” was indispensible to any effort to break America of its addiction to warfare. 

The “Deep Background” column is less pessimistic about Afghanistan, pointing out that while “the nation-building agenda” that Mr O has publicly espoused for Afghanistan “is unrealistic and likely unattainable, a security framework to facilitate the kind of limited political consensus that would permit American withdrawal might just be achievable.”  So, the grounds for hope is that the stated purposes of Mr O’s actions in Afghanistan are so patently absurd that they likely mask an unstated plan to withdraw American forces from the country. 

Peter Hitchens, whose brother is also a magazine journalist, worries that all is not well in the new South Africa.  President-designate Jacob Zuma’s fondness for the song “Bring Me My Machine Gun,” his closeness to the South African Communist Party, his refusal to be interviewed by journalists, his open practice of polygamy, his public boasts that he used to make a habit of beating homosexuals senseless, his apparent belief that HIV-AIDS is something that can be cured by a nice hot shower, and his former role as the defendant in a rape trial all combine to suggest to Hitchens that Zuma might be something less than the ideal leader for South Africa at this particular moment in its history.

Feed the Homeless Without Really Trying

 

replate.org
replate.org
U.S. residents throw away about 100 billion pounds of food every year (nearly 3,000 pounds per second), enough to feed 60 million people. At the same time, more than 35 million U.S. residents are hungry or on the edge of hunger.

Save the Words

A website devoted to the preservation and revival of very obscure English words.

http://www.savethewords.org/

Spider Stuff

27bslash6.com bestviral.com

27bslash6.com bestviral.com

 

 

http://cbs13.com/local/Paraplegic.Man.Suffers.2.958151.html

Unleash that Crème Egg Goo!

6 months to make and 200 takes over 3 days to film

Seeing is feeling is believing

Thanks to 3quarksdaily for linking to this report about how optical illusions and tactile experiences can influence each other.  Apparently the senses work together in more ways than cognitive scientists had previously realized.

La Crisi, by Fabio KoRyu Calabro

This week brings an especially good selection of youtube embeds on Ukulele Hunt.   I’ve had them on in the background as I’ve been working.  This one is especially well-suited to that purpose; a rousing tune, an intense performance, and lyrics that don’t distract me because they’re in Italian. 

Lonnie Loves Jesus, Kathryn Loves Lonnie

The Nation, 27 April 2009

nation-27-april-2009Classicist Emily Wilson reviews Anne Carson‘s An Oresteia.  Carson translates Aeschylus’ Agamemnon, Sophocles’ Electra, and Euripides’ Orestes to make a trilogy that not only tells why the legendary prince Orestes killed his mother Clytemnestra and what consequences that matricide had in their world, but a trilogy that also suggests how the moral ideas of the Athenians might have changed in response to the social and political crises of the fifth century BC.  

Aeschylus’ Agamemnon was produced in 458 BC, when Athens’ empire was at its zenith and its form of democracy seemed infinitely adaptable to whatever challenges the future might present.  In the Agamemnon, Aeschylus puts the motivations of the gods and of humans on display together, suggesting that while each may be temporarily obscure, nonetheless both can ultimately become transparent.   When Clytemnestra kills her husband Agamemnon, her children inherit from their father the responsibility to avenge him by killing their mother.  Faced with this horrifying duty, Orestes and his sister Electra seem as though they may have been plunged into an incomprehensible moral universe.  Yet democracy, Athenian democracy, will settle the matter and allow the survivors of the cycle of violence to reason together once more.   Orestes will ultimately appear before Athens’ Areopagus Council, which will sit in judgment of his case and reach a verdict that even the Furies themselves must accept. 

Sophocles’ Electra dates from a time much later than that of Aeschylus’ play, probably the last decade of the fifth century.  By that time, Athens had been embroiled in the Peloponnesian Wars for a generation.  Isolated in mainland Greece, Athens had suffered heavy defeats in one theater after another.  To many Athenians, it seemed that the war had discredited democracy.  Not only had the war the people voted to enter brought Athens actual disaster and likely destruction, but the heaviest of all Athens’ losses were suffered in a war with another radical democracy, Syracuse.  In 411, Sophocles himself would figure prominently in a move to scrap democracy and institute a government by an oligarchic group known as “the Four Hundred.”  The Four Hundred didn’t last long, but the optimism of Aeschylus’ day would never be possible to the Athenians again.  Accordingly, Sophocles’ view is darker Aeschylus’.  Wilson says that for Sophocles, “the will of the gods is hard to interpret, and the focus of the play is on the turbulent feelings of human characters and the contradictory narratives they create to serve their advantage.”  For my part, I think it would be better to say that for Sophocles, the gods are not on display- we may be visible to them, but they are never truly visible to us.  We can understand only his human characters, and then only by discovering the ways in which they have deceived themselves.  Wilson writes that “The play is disturbing in both its emphasis on desperate grief and the suggestion that the only cure for such pain is retribution reaped with scams and lies. Unlike in Aeschylus, there is no hope of a political solution.” 

Orestes, produced in 408, is in some ways Euripides’ strangest play, and Wilson labels it the darkest of the three Carson has chosen.  Euripides is closer to Aeschylus than to Sophocles in his belief that the motivations of gods and humans are intelligible, but unlike them in his doubt that understanding those motivations will bring us any closer to a world that we can judge fairly.  Read the full post »

Yet Another “Best Job in the World”

Yet another Samatha Brown.

Yet another Samatha Brown.

The top 50 minus 1 from the original “Best Job in the World” have been invited to do this.

Not in the top 50 minus 1? Go here.