The June and July issues of Chronicles, the rightwardmost of my regular reads, include a couple of pieces that seem to acknowledge that the basis of conservatism is nostalgia. That isn’t so bad, I suppose; everyone feels nostalgia, and people who are nostalgic for the same things can share a bond, and can sometimes nurture a gentleness together.
June: Roger McGrath reminisces about his childhood in a thinly populated, mostly rural California. He makes it sound like paradise, or like a place a rambunctious boy might have preferred to paradise.
Thomas Fleming builds a scholarly argument to the effect that early Christians were not pacifists. I often suspect that Fleming has a grudge against Quakerism. I’m not sure where he would have picked up such a grudge- he grew up in a family of atheists, so it isn’t rebellion against his parents. But this article seems like a detailed response to some or other Quaker tract. And he frequently denounces many practices that are associated with Friends, such as silent worship.
In a piece lamenting the rapid decline of global birthrates over the last 20 years, Philip Jenkins makes an interesting suggestion. Most demographers claim that when religious beliefs lose their social power, people choose to have smaller families. Jenkins suggests that the arrow of causality should point in the opposite direction. Perhaps it is the fact that people have fewer children that disinclines them from taking religion seriously. “Without a sense of the importance of continuity, whether of the family or of the individual, people lose the need for a religious perspective.” He quotes the philosopher Rüdiger Safranski. Safranski claims that a drop in birthrate
results in a dramatic lack of maturity in the way people choose to live their lives… For childless singles, thinking in terms of the generations to come loses relevance. Therefore, they behave more and more as if they were the last, and see themselves as standing at the end of the chain.
George McCartney praises Richard Yates’ 1961 novel Revolutionary Road as a biting satire of self-styled “nonconformists” who congratulate themselves on their superiority to others while they are in fact utterly conventional. McCartney condemns the recent film of the same title as an example of the sort of thing Yates was ridiculing. He praises Eran Riklis’ film The Lemon Tree, the story of a Palestinian woman who insists on taking care of the lemon grove she inherited from her father even after an Israeli cabinet minister appropriates the land in which it grows for his own private use. Her refusal to give up her ancestral claim is the sort of thing that warms the reactionary hearts of the Chronicles crowd, and I suppose it reflects the kind of nostalgia that a person really could build a humane politics around.
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