Last night I dreamed my allergist told me I was allergic to- and I quote- “Flying Ravioli Monster.” I questioned her (in my dream) and she explained that particular allergen comes from the inside out. I woke up feeling itchy and snotty. I had somehow forgotten to wheel my air purifier into the bedroom last night.
Of course we all know there’s no Flying Ravioli Monster.
Whether this post is a trick or a treat is not for me to decide.
At the Corktown Ukulele Jam, young Jimmy the Uke plays “Monster Mash”
The Vampire Song, aka “You Know a Lot About Me,” by Count Orlok and his Ukulele
Poopy Lungstuffing and Organ Failure perform “You Are My Sunshine” as it would sound if zombies sang it
Poopy does a solo version of “Little Orphant Annie.” I think this is the best video in this post.
“The Wolf in Me,” a rather grim original by Danny Korves.
Jennifer Teeter’s “Sea Monster’s Lament,” also known as “The Lesbian Sea Monster Song.” It’s realy too sweet to be a Halloween song, but there is a monster in it, and some handcuffs, so I’m including it.
If you are looking for a song addressed to neopagans who keep 31 October as a religious holiday called Samhain, here’s something.
Eve Tushnet promotes her review of some recent film release with a mock headline declaring it “A terrific date movie! Unless you’re heterosexual or something.” I love that “or something.” I’m not sure whether she includes her non-heterosexual self among those for whom the picture is a less than terrific date movie.
Click to read
Friend of the blog Duncan Mitchel has recently put up two posts (here and here) about something that Tushnet’s line reminded me of. In a 1985 edition of her strip Dykes to Watch Out For, cartoonist Alison Bechdel lays out a test for movies. “One, it has to have at least two women in it; who, two, talk to each other about, three, something besides a man.” Duncan calls this “Liz Warren’s Rule,” because Alison says she got it from her friend Liz Warren. In his first post, Duncan looks at some published works that predate the DTWOF strip and include precursors of the Rule; in his second, he describes a South Korean movie that surprises him by meeting the requirements of the Rule. Some of the precursors seem to me a bit harsh; for example, in an essay published in 1975 Samuel R. Delany wrote that “any novel that does not, in this day and age, have a strong, central, positive relation between women can be dismissed as sexist (no matter the sex of the author) from the start.” A woman who had written a novel which did not have such a relation at its center might be rather surprised to find Mr Delany dismissing her work as sexist, but that’s what the guy said.
A couple of weeks ago, Ukulele Hunt included Poopy Lungstuffing’s “Dolly Got a Haircut” in the weekly roundup of uker vids. It’s been playing in my head ever since. I invite you to listen and see if you have the same reaction. It sounds a lot like the song Tom Waits would have written if he’d spent his childhood as a young girl who was self-conscious about her mental health.
If Poopy’s song does stick in your head and you’re looking for something to vie with it, you might stay on YouTube and switch to TorontoUkes. They’ve posted a bunch of videos from this month’s Corktown Ukulele Jams. I’d say five of the strongest entries include Marianne Girard’s cover of “What a Wonderful World,” Paul Yedema’s of “Drinking EX and Asking Why,” and Sunny Widerman’s of “Levon.” Of the originals, my favorites are Zoe Henderson’s “Cryin’ in My Sleep” and Eve Goldberg’s “Pineapple Sorbet.”
Girard’s “What a Wonderful World” is radically simpler and more wistful than Israel Kamakawiwo’ole’s iconic version. Her version doesn’t compete with his, but has a quiet strength of its own. Yedema and Henderson play gentle, sad, country-and-western style tunes; if you’re in the mood for a good cry, either one could help you get there. Goldberg’s tune, a ukulele transcription of a guitar piece of hers, is light and chipper; if you’re in a good mood to start with, it’ll make you very happy. If you are looking for a song to help you raise your spirits, Sunny Widerman’s mighty performance of Elton John’s hit should help you gather your resolve. (more…)
Not that telegraph keys are much in demand these days, but this model is fully functional
Alexandra is a friend of the blog, and she maintains a great site called Weirdomatic. It consists of photo galleries, each taking a design concept that would seem improbable and illustrating it with the work of many artists who have approached it. The latest is devoted to art using clothespins as a theme. She doesn’t post very often, but each gallery she does put on her site shows great care. Not only does each of her galleries include examples sufficient to illustrate the theme effectively, but each is arranged in a strikingly creative, suggestive way.
Another site I often check for pictures illustrating offbeat design concepts is called Crooked Brains. Weirdomatic fans are lucky if Alexandra posts once a month; Crooked Brains often posts several times in one day, and its galleries are also consistently interesting, if not quite as meticulously cultivated as Alexandra’s. I wondered how they did it. When I found this gallery that was published on Crooked Brains on 9 October, I began to think that I had figured out how they did it.