We see the people we look at, we look at the people we’ve seen

In the latest issue of The Nation, Alexander Cockburn argues that the reason Wisconsin’s Democratic US Senator Russ Feingold lost his seat in this month’s election was that too many voters associated him with the Obama administration and its habit of appeasing the Republican Party.  How can the senator regain his reputation?  Cockburn recommends that he challenge Mr O for reelection, presenting himself as an independent candidate in 2012.  Cockburn does not claim that US voters in general are looking for a populist candidate who will call Wall Street to account; rather he says that exit polls show that the public at large has no definite idea as to what it would like to see next.  But more respondents in those polls blamed Wall Street for the country’s economic woes than any other force, and Feingold’s record makes him a plausible champion of real reform.  Perhaps if someone like him made a case for curbing the power of the financial elite, public opinion would start to move in that direction.  Perhaps the existence of a populist candidate might give rise to a populist movement, which might in turn reshape the public’s perceptions of what is possible in US politics.

Barry Schwabsky’s  essay about painter Nancy Spero (1926-2009) is occasioned by a new book about her visual work, the reissue of her book on The Torture of Women, and an exhibition at the Centre Pompidou.  Schwabsky focuses at length on Spero’s decision to exclude male figures from her work.  Schwabsky points out that many critics who ceaselessly attacked Spero for her supposedly narrow range saw nothing narrow about the decision many of her contemporaries made to renounce representational art altogether. For Schwabsky, these critics missed the fact that Spero was, “after Matisse, the great painter of the dance.”  He enlarges on the comparison: “Matisse, speaking of his chapel in Vence, explained, “This lightness arouses feelings of release, of obstacles cleared, so that my chapel is not ‘Brothers, we must die.’ It is rather ‘Brothers, we must live!'” Spero’s late work embodies this same sense of release. “Sisters, we must live!” could be its motto.”   Even Spero’s protest, as in The Torture of Women, is never merely angry, never a counsel of despair; rather, she always affirms that life is still to be lived, “that judgment has yet to be rendered.”

Benjamin Barber looks at the US political scene and worries that Americans are losing their grip on reality.  More precisely, he fears that in our public life we no longer make much distinction between facts and opinions.  This development, Barber argues, is lethal to democracy:

The trouble is that when we merely feel and opine, persuaded that there is no possible way our opinion can be controverted or challenged, having an opinion is the same as being “right.” Being right quickly comes to trump being creditable and provable, and we lose the core democratic faculty of admitting that we might be wrong, and that our views must be judged by some criterion other than how deeply we hold them. Our polarized antidemocratic politics of personal prejudice is all about the certainty that we are right paired with the conviction that nothing can change our mind. Yet democracy is wholly contrary to such subjective certainty. To secure our liberty in a world of collectivity, we must remain endlessly sensitive to the possibility that we might be wrong. And hence to our reciprocal willingness to subject our opinions to corroboration—and to falsification. We teach evolution not because it is “true” in some absolute sense but because it is susceptible to falsification. Creationism is not, which is why evolution is science while creationism is subjective opinion—a fit candidate for belief but inappropriate to schooling.

Barber has spent a great deal of time replying to the so-called “Public Ignorance Objection” to direct democracy, arguing that if the public does not have the knowledge needed to govern itself, that is likely because it has had no occasion to gain that knowledge.  Let the people govern, and they will have an incentive to acquire not only the information that statecraft requires, but a set of habits that can translate that information into workable policy.  It’s a bit of a disappointment he didn’t have space to develop that theme here, but could only describe the problem.

Counterpunch, 1-15 November 2010

The latest issue of Counterpunch quotes a Nashville Tennessean article that  documents how much-publicized “anti-terrorism expert” Steven Emerson has never shown any evidence that he knows anything at all about terrorism, but that he has made a great deal of money by smearing and persecuting certain law-abiding Muslims.

The same issue cites another Tennessee newspaper article much less favorably.  In September, the Memphis Commercial Appeal recently ran a story labeling photographer Ernest Withers (1922-2007) as an “FBI mole” inside the civil rights movement of the 1960s.  That piece went so far as to insinuate that Withers may have been complicit in the assassination of Martin Luther King, Junior.  Other news outlets picked the story up, claiming that Withers had been exposed as a “closely supervised, paid informant.”  Counterpunch‘s Daniel Wolff read the documents on which the Commercial Appeal based its story, finding that none of them supports any of the inflammatory charges against Withers.  For example, the articles claim that Withers gave the FBI a list of names of organizers of the 1968 sanitation workers’ strike in Memphis; that charge is technically true, in the sense that Withers helped put together the press release in which those organizers announced their names to the public.  The rest of the charges are even less well-founded.  It’s a shame that so distinguished a figure as Dick Gregory took the Commercial Appeal‘s story at face value and called Withers a “thug,” a “Judas,” and “a guy hired by the FBI to destroy us.”

Withers’ photos played a crucial role in raising public awareness of the civil rights movement; the Panopticon Gallery has a fine collection of them, viewable here.   This one shows Dr. King’s funeral procession:

Funeral Procession for the Reverend Dr. Martin Luther King, Junior; photograph by Ernest C. Withers (courtesy of Panopticon Gallery)

“Markets don’t reward merit; they reward value”

This article by Shikha Dalmia makes some of the points I tried to express in the notes I posted here a few weeks ago under the title “The Economic Argument.”  Two key passages are these: “Markets don’t reward merit; they reward value—two very different things.”  And  “The idea that there is no god (or some secular version of him) meting out cosmic justice through the market’s invisible hand is unsettling, even to market advocates, but it shouldn’t be. It opens up the possibility of a defense of markets that is, as it were, more marketable.”  In other words, when economists say that market competition tends toward rationality they are not saying the same thing Plato says when he imagines a form of learning that culminates in a vision of absolute truth.  Efficient social structures may emerge from market competition, but there is no guarantee that these structures will exemplify justice or reveal the secrets of the cosmos.

A provocative remark

From Peter Hitchens’ latest Sunday Mail column:

The French… long ago recognised their defeat by Germany in 1940 as permanent, and resolved to live with it in return for prosperity and the outward appearance of grandeur. That, enshrined in the Elysee Treaty of 1963, is the unspoken pact at the heart of the EU.

It may be easy to dismiss anything published in the Mail, especially when it is harsh toward the French and the Germans.  But is this not in fact a very plausible description of the last 70 years of French policy?

 

Remembering Tuli Kupferberg

This reference by Tsaurah Litzky prompted me to look up Tuli Kupferberg‘s song “Go Fuck Yourself With Your Atom Bomb.”  There was something startling about all the popup windows inviting me to download “Go Fuck Yourself With Your Atom Bomb” as a ringtone.  The youtube post below is a radio conversation with still photos.  I found a transcript of the conversation here.

It’s interesting to me that the caller tries to use the same psychologizing explanations to dismiss Tuli’s anti-militarism that Tuli uses to jeer at militarism.

The Nation, 22 November 2010

Several articles and columns analyze the results of the 2010 US national election.  The common theme of all these pieces is that the Democratic Party’s losses were due, not to any excess of ambition in its leaders’ programs, but to their timidity.    I think the best writing on the magazine’s site is an item not in the print issue, JoAnn Wypijewski’s column about the Delaware Senate race in which anti-sex crusader Christine O’Donnell met with a crushing defeat.  Opening with the observation that victorious Democrat Chris Coons didn’t bother to appear with any unionized workers or other progressive mainstays at his victory celebration.  For Wypijewski, the resulting images of the senator-elect with his fellow millionaires go a long way towards explaining why so many working people could rally to the support of rightists like O’Donnell.  Wypijewski’s closing paragraph is forceful:

Before it was the toast of the Tea Party, O’Donnell’s campaign was the revenge of the discarded and ignored, the people who fell by the side of the road while the economy was busy making bankers and call center clerks and IT specialists; while it was battering organized labor and with it a sense of class consciousness and direction, sorting out the winners and letting the losers fend for themselves. Christine O’Donnell was their avatar and heroine, and if she goes on to TV celebrity and wealth, those who identified with her most fervently will probably view her rise the way one would a success in the family. They will no more disappear because of her defeat than the conditions that produced them.

Elsewhere in the issue, Stuart Klawans’ reviews several recent movies.  I would mention his harshly negative review of Clint Eastwood’s Hereafter.  I am generally opposed to movies by Clint Eastwood, and this one sounds as bad as the rest.  But I was intrigued by Klawans’ description of the ghosts whom Eastwood depicts as haunting his characters:

Clint Eastwood has long been interested in ghosts and revenants of the avenging kind, as you may see from Pale Rider, Hang ‘Em High and even Unforgiven. From certain broad hints in Mystic River and Gran Torino, you may also guess that Eastwood is not much interested in the consolations of religion. So it’s not surprising that when he set himself to make Hereafter, a movie about intimations of a nondenominational, do-gooder ghost world, the only parts that turned out to be convincing were the eruptions of violence and the sly dirty jokes.

The opening eruption, which leaves the rest of the movie limp in its wake, is a special-effects extravaganza, in which a tsunami roars across a tropical resort island, sweeping a visiting French journalist (Cécile de France) to her temporary death. The flood is vivid, detailed, tactile and unforgettable. So too is the journalist’s recovery, which involves vomiting perhaps a quart of water. So much the worse, then, for her brief intervening glimpse of the Beyond: a cloudy, color-drained nonplace streaked with dark, out-of-focus figures.

It sounds like Eastwood is pushing a conception of the afterlife rather like those I have recently noted in Ambrose Bierce, Lila Burns, and David Malki.

More ghosts

On Halloween, I posted about Ambrose Bierce’s idea of ghosts as beings who come from nowhere, go nowhere, and are powerless to play a direct role in human life.  I suggested that Bierce might have been expected to come up with an idea like this, given that his religious background was a self-conscious Protestantism that made a point of renouncing notions like Purgatory and intercessory prayer.  Bierce grew up hearing that at the moment of death, a soul passes either to Heaven or to Hell.  With that belief as the starting-point for his thoughts about the afterlife, how could Bierce have crafted a drama of any substance for the dead to enact?  How could he have attributed to them the power to influence our lives?

Similar thoughts seem to have been working lately in the mind of cartoonist David Malki.  The four most recent installments of his Wondermark have dealt with ghosts.  Here’s one from earlier this week:

Bierce has his ghost explain that the spirits of the dead are “invisible even to ourselves, and to one another”; on rare occasions, she says, “we are seen by those whom we would warn, console, or punish. What form we seem to them to bear we know not; we know only that we terrify even those whom we most wish to comfort, and from whom we most crave tenderness and sympathy.”  Perhaps the ghost in this comic is under the impression that she is communicating with the medium, who does not really hear her at all but is deceiving her and his clients; or perhaps the medium does hear her and is  faithfully reporting what he hears, which is distorted in the way that Bierce’s ghost had complained her attempts to communicate with the living had been distorted.

An unlikely pair

You don’t often hear the names of Susie Bright and Steve Sailer linked (though apparently they both commented on the same article once, Sailer here and Bright here) but the two have each written insightful pieces on the 2010 US national election.  Here is Bright’s piece; here is Sailer’s.

The differences are obvious; while Bright’s dire prediction #4 is that “Racist appeals to quarantine, imprison, deport, and execute will become unrelenting. Look forward to pronouncements like, ‘I’m not a bigot, but brown and bearded people have GOT to be go!’ Four talking heads will then agree on every media channel,” Sailer argues that population growth resulting from high levels of immigration has raised the average cost of living in the US, then predicts that the newly elected Republican politicians will move to raise those levels still higher.

Nonetheless, there’s actually a good deal of overlap in their views.  Both see politicians as spokespersons for powerbrokers behind the scenes; Bright says that “Female GOP candidates are the sign of one thing: The Shitty PR Job that girls always get, while patriarchs elsewhere pull the strings. It’s a sign of how little candidates are worth,” while Sailer explains the reelection of Nevada’s unpopular but well-connected Senator Harry Reid by asking “Could it be possible that some residents of Las Vegas are less motivated by principle than by money? I know it sounds crazy. But I think we have consider that disillusioning possibility about Vegasites.”  Both dread a future in which whites will vote as an ethnic bloc; in her dire prediction #14, Bright declares that whites who see the Republicans as the white party are deluded, since it is controlled by people who care only about the color of money.  Sailer wouldn’t disagree, but he predicts that whites will vote as an ethnic bloc as they move toward minority status in the USA.  “You’d prefer not to live in a country where whites vote like a minority bloc?  Me too! But maybe we should have thought about that before putting whites on the long path to minority status through mass immigration.”

Some interesting things from the web

1. Al Wood, proprietor of the magnificent Ukulele Hunt, disclaims any interest in politics, but he has a post up about copyright law that everyone should read.  He calls for a scrapping of the 95-year term of protection that is now standard in the developed world, and a return to the once-standard renewable 14 year term.

2. Some CT scans subject a patient to the radiation equivalent of 900 chest X-rays.  Several years ago, I heard the physicist Joseph Rotblat explain why he’d become an activist against the testing of nuclear weapons:

People began getting worried about all these tests.  In order to pacify the people, the Atomic Energy Commission issued a statement- this was the beginning of 1955- saying you didn’t need to worry at all about the fallout because the dose which people in the United States received from the tests was not more than from a chest X-ray.

Most people didn’t know how much radiation you get from a chest X-ray.  I knew… [A]fter this statement, I thought this was terribly dangerous.

3. A new article about T S Eliot in Commentary asks “But might it be allowed that one can write or say anti-Semitic things without being an anti-Semite? Eliot is guilty of the former, but does not, I think, stand guilty of the latter.”  The major theme of the piece is the great difficulty his Calvinist heritage left the Tse-Tse in his attempts to enjoy life.  Certainly a man who made several well-publicized anti-Semitic remarks, then earnestly declared anti-Semitism to be a sin, would seem to be an example of someone not having fun.

4. Seats in the US Senate are not apportioned by population, with the result that a candidate can lose by a landslide in one state, while candidates in other states can receive fewer votes and win elections.

 

NYT on UOGB

The New York Times review of the Ukulele Orchestra of Great Britain’s performance last night at Carnegie Hall.